Even by the standards of star Lon Chaney and director Tod Browning, West of Zanzibar is an unrelentingly grim and gruesome melodrama. Chaney delivers an unforgettable performance as Flint, the crippled "king" of a faraway jungle island. Swearing vengeance against Crane (Lionel Barrymore), the man who stole his wife and left him a paraplegic, Flint concentrates his hatred on Crane's daughter Anna (Jane Daly). Bankrolling the girl's convent education, Flint brings Anna to his island domain, where he pumps her full of narcotics and forces her into a life of prostitution and all- around depravity.

As a final humiliation, he intends to allow Anna to be sacrificed in a native ritual. But when he finds out that Anna is actually his own daughter, Flint does an abrupt about- face and does all he can to rescue the girl and her dissolute sweetheart Doc (Warner Baxter) from the rampaging natives. West of Zanzibar was remade (and, it has been, argued, vastly improved upon) as Kongo (1. Walter Huston in the Chaney role.

Only 1. 2,0. 00 Roland TR- 8. Atlantic Records. The Roland TR- 8. Its clicky, hypnotic percussion can be heard on everything from Marvin Gaye’s “Sexual Healing” to Phil Collins’ “Another Day in Paradise” to Lil Jon and Usher’s “Yeah!” to this month’s No. Rae Sremmurd’s “Black Beatles” and a whole world in between. Watch What Ever Happened To Baby Jane? Online Ibtimes there.

Only 1. 2,0. 00 TR- 8. Roland between its debut in 1. The Velvet Underground & Nico, seemingly everyone who bought one fired their drummer. Jack Hamilton. Jack Hamilton is Slate’s pop critic and assistant professor of American studies and media studies at the University of Virginia.

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He is the author of Just Around Midnight: Rock and Roll and the Racial Imagination. The Expendables 3 Online Putlocker. The miraculous little machine is now the subject of a fittingly quirky and lively documentary, 8. The Movie, which premieres on i. Tunes this Friday. For Apple Music subscribers, it has already been made available to stream for free.) From a musical standpoint, the film takes as its origin story Afrika Bambaataa and the Soulsonic Force’s 1. Planet Rock,” a seven- and- a- half–minute maelstrom of funk that changed popular music. Planet Rock” was not the first hip- hop hit, but no recording prior had so boldly evinced the gathering revolution the genre was about to unleash on the world.

Coursing underneath Bambaataa’s pastiche of Kraftwerk, George Clinton, and other extraterrestrial encounters was a drum part unlike anything ever heard before. Pounding, rattling, throbbing, jittering, it seemed to contain all the ecstasy of the dance floor in eight bars, looped into perpetuity.“Planet Rock” didn’t so much put the 8. Ironically, the 8. The 8. 08’s sounds were riotously inauthentic: canned hand claps, a cowbell that sounded like a touch- tone phone, a bass drum that sounded like Charlie Brown’s parents having sex. We’ve now become so used to these sounds that it’s easy to lose sight of the sheer strangeness they wrought upon arrival. It hardly feels like a coincidence that the 8. Japan the same year as another seminally bizarre early- ’8.

Pac- Man. The 8. 08 was originally designed to help musicians make home demos, but like all great musical inventions, it only became indispensable once the right people started using it wrong. Most commonly this involved souping up that bass drum to inadvisable degrees, such as on T La Rock’s 1. It’s Yours,” the record that launched Rick Rubin’s career and ultimately led to the founding of Def Jam Recordings. The Movie features on- camera testimonials from both T La Rock and Rubin, each of whom reminisce about how Rubin used no fewer than six bass drum tracks on the record, creating a sound powerful enough to literally blow out speakers. Just two years later Rubin produced the Beastie Boys’ Licensed to Ill, the first hip- hop album to top the Billboard album charts. One of its most beloved tracks, “Paul Revere,” featured an 8. Mike D and Ad- Rock insist the idea was in fact the late MCA’s.)8.

The Movie is narrated by Zane Lowe, but its on- screen interviews are its highlights, featuring the likes of Questlove, Lil Jon, Richie Hawtin, Damon Albarn, Diplo, Pharrell, Jimmy Jam and Terry Lewis, and many more. Afrika Bambaataa appears as well, although the documentary was finished before the recent sexual abuse allegations against him emerged.) There’s a giddy and shaggy wonkiness to many of the interviews, as though the subjects can barely believe someone’s filming them geek out over a drum machine. Perhaps the film’s best sequence features club legend Strafe re- creating his 1. Set It Off” in a present- day studio with just an 8.

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Like all great musical inventions, it only became indispensable once the right people started using it wrong. The Movie is most concerned with the 1.

The film makes only passing reference to the 8. Southern trap music, and it never even mentions Kanye West’s wildly influential 2. Heartbreak, an explicit love letter to the device. If you say 8. 08 to a present- day college student, you’re far more likely to get a disquisition on West than on “Planet Rock”—trust me, I know.)8. The Movie works best as an ode to the instrument, and like most hagiographies, it’s a bit light on context. For instance, barely any other drum machines are even mentioned in the film, most notably the Linn LM- 1, which was arguably even more ubiquitous in mainstream ’8.

The lack of context feels like a missed opportunity to address what should be one of the film’s central questions: Why did the 8. One reason is that it was relatively cheap. In the early 1. 98. LM- 1 retailed for $5,5. TR- 8. 08 could be acquired for a little more than a grand. Another is that, for all its quirky and esoteric design, the 8.

Even more importantly, it’s remarkably easy to program: Prior to the LM- 1 and the 8. On the 8. 08 you can make your own patterns and your own tempos—rather than simply being a tool of recreation, it’s a tool of creation. But not without its limits: Due to the fact that, as Roland founder Ikutaro Kakehashi puts it in the documentary, memory in 1. Much like the chintzy falseness of its sounds, however, the bug quickly became a feature. In the 1. 98. 0s, hip- hop, house, electro, techno, and other descendants of disco were preoccupied with rhythmic repetition, so those eight- bar units became veritable playgrounds for invention and creativity, the devices’ creative capacities pushed to their breaking point and beyond.

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One of the most significant epistemic shifts in late- 2. More than any other instrument of its time, the 8. The Movie is a deeply geeky film—anything less would be a betrayal of its subject. If you’re not as fascinated by drum machines as its filmmakers and interview subjects (or, full disclosure, this reviewer), you might find its one note a bit repetitive. But as long as you’ve got rhythm, who ever needed more than one note anyways?

· The first teasers for Lady Gaga's HBO documentary have arrived! Get ready, Little Monsters! Directed by Amy Berg. With Jason Baldwin, Damien Wayne Echols, Jessie Misskelley, Michael Baden. An examination of a failure of justice in the case against the West. · This New Doc About the Invention That Changed Music Is a Must-Watch for Music Nerds.

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